Colour looks
Looks, tuned to your video
Pick a clip and see it in each look, corrected for that clip first. Download the one you
like as a .cube LUT for your editor. It all happens in this tab — your
video is not uploaded.
Drop a video here
or click to choose · MP4 or MOV · stays on your device
Opening the video…
Apply to the video recolours every frame
here, on your device, and saves a new MP4 — for phones, where most editors
cannot load a LUT. It re-encodes the picture at about the original’s bitrate;
the sound is copied untouched.
The LUT is for editors that import .cube files; it
includes this video’s correction and the look at this strength.
Applying the look…
How it works
A LUT is a table that maps every colour to a new one. The same LUT looks different on different footage: a grade made for a bright beach makes a dark street murky, and one made for a street makes a beach flat. So before any look, this page measures a frame of your video — its black and white points, how bright the midtones sit, and any colour cast on the greys — and corrects that first. Every look then starts from the same neutral place.
The correction is gentle on purpose. A night clip stays a night clip, only less murky; a clip that is already well exposed is left alone, and the page says so. You can switch it off.
The correction is measured from the frame you choose. A frame from the middle of the clip, without a flash of sky or a black transition, gives the best result. If a clip changes scene a lot, make a LUT for each part.
The looks
- Clean — a touch more contrast and colour. Close to the original, just finished.
- Vivid travel — lime greens, deep blue sky, bright and punchy. Made for landscapes in daylight.
- Warm film — soft faded blacks, warm highlights and gentler colour. Good for people and everyday moments.
- Moody night — teal shadows, amber lights and deep blacks. For city nights, rain and neon.
Using the file
The download is a standard 33-point .cube LUT. Desktop editors such as
DaVinci Resolve, Premiere Pro and Final Cut Pro import these, and so does CapCut’s
desktop app, under Adjustment → LUT. Apply it to the clip, check the result, and lower
the strength there too if it is too much.
As far as we can tell, CapCut’s phone app does not import LUT files — only its own built-in ones. That is what Apply to the video is for: finish the edit in CapCut without a filter, export it, then apply the look here.
Applying it here
The look is applied to every frame in this tab, using your device’s own video hardware, and saved as a new MP4. Nothing is uploaded. How long it takes depends on the clip and the device; the page shows how much is left, and the tab needs to stay open.
Unlike the encoder, this does re-encode the picture — recolouring it means making new frames. It encodes at about the original’s bitrate, with a generous floor, and copies the sound across untouched. The file comes out prepared the same way the encoder prepares files.
LUTs are made for ordinary (SDR) video. If your phone records HDR, we recommend converting the clip to SDR in your editor before applying one, or the colours will not match the preview.
Read next
- The encoder — after grading, keep TikTok from re-encoding what you made.
- TikTok export settings that actually matter — what to export once it looks right.